The Passage: Post-Punk Poets
'The Passage can be accepted as major even by the cowardly, cautious and cynical…Their sound is their own. It’s the shock of the new – new shades, textures, noises, pulses, atmospheres, energies, the opening up of new realms of feeling'. – Paul Morley
The Passage: Post-Punk Poets, edited by Todd Swift and Alex Payne, celebrates the lyrics and artistry of Dick Witts, frontman of the Manchester Musicians Collective band The Passage. Collected here for the first time, these lyrics revolve around Witts’ motifs of power, fear and love, which imbue them with relentless energy. Combining hazy visions of an 80s nightclub at 2am and an unflinching eye for satire and political commentary, these lyrics are as pertinent and forceful now as they were during the post-punk heyday.
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Rebecca Gayle Howell
Winner of the 2016 Sexton Prize, selected for publication by Don Share
American Purgatory is a story of the working class, a dystopia set in a near-future United States marked by severe drought, herbicidal warfare, and a totalitarian climate of poverty. This purgatory is populated by those who believe if that they work hard enough, they will be set free. Against this backdrop, three unlikely characters begin a journey that will take them away from work, belief, and even each other, until the protagonist uncovers the truth about this place and the people in it—a truth that indeed sets her free. Equal parts Dante and Cormac McCarthy, American Purgatory is a coming-of-age for capitalism written in the decade of tea-party terror.
'American Purgatory is a FORCE of a book. With striking passion, revelatory insight, eerie visionary turnabouts, haunting threads of hymnology, and a giant gift of precision and sensitive care, Rebecca Gayle Howell creates an unforgettably potent world in her poems—labor so often lived and borne, so rarely described.' —Naomi Shihab Nye
'What I can't stop thinking about, reading Rebecca Gayle Howell's haunting American Purgatory, are the ways our almost (but not quite) incalculably extractive lives, born of our extractive imaginations, will wither every last thing to dust if we don't confront them. And it makes me wonder how we will confront them. This book feels like one of the ways.' – Ross Gay
'In scriptural cadences and the earthen voice of a woman laboring under a sky of pesticides, Rebecca Gayle Howell imagines, with lyric ferocity and razor perception, a near-future dystopia lived by “persons held to service and labor,” in the wide, ruined fields of industrial agribusiness. It is a place of scarce water and thirsty cotton, with strong echoes of the shameful past of abduction and enslavement that built the wealth of the United States. In American Purgatory we meet Brother Slade, The Kid, a man called Little, and the chemically deformed “Brutes.” Howell is our twenty-first century Virgil, waving “the flag of warning,” on the precipice of a ruined world. Our world. The clear-eyed courage at work here reminds me of the honest power of C.D. Wright. She would recognize in Howell a sister poet. This is a poetic work for our moment and the time is now.' —Carolyn Forché
'Howell's broken passages recall the [...] disenfranchised Depression-era voices in Studs Terkel's "Hard Times." That is to say, this book has happened before and believably could happen again. Before you conclude that "American Purgatory" only appeals to the most cynical of readers, though, know that the book is also a mosaic of subtle, extreme — and ultimately, beautiful — poetic language.' - Jackson Meazle, Arkensas Times (http://m.arktimes.com/arkansas/believing-is-seeing/Content?oid=4838274)